A SCHOLARLY BOOK REPOSITORY344 start with J start with J
Over half of all American Jewish children are being raised by intermarried parents. This demographic group will have a tremendous impact on American Judaism as it is lived and practiced in the coming decades. To date, however, in both academic studies about Judaism and in the popular imagination, such children and their parents remain marginal.
Jennifer A. Thompson takes a different approach. In Jewish on Their Own Terms, she tells the stories of intermarried couples, the rabbis and other Jewish educators who work with them, and the conflicting public conversations about intermarriage among American Jews. Thompson notes that in the dominant Jewish cultural narrative, intermarriage symbolizes individualism and assimilation. Talking about intermarriage allows American Jews to discuss their anxieties about remaining distinctively Jewish despite their success in assimilating into American culture.
In contrast, Thompson uses ethnography to describe the compelling concerns of all of these parties and places their anxieties firmly within the context of American religious culture and morality. She explains how American and traditional Jewish gender roles converge to put non-Jewish women in charge of raising Jewish children. Interfaith couples are like other Americans in often harboring contradictory notions of individual autonomy, universal religious truths, and obligations to family and history.
Focusing on the lived experiences of these families, Jewish on Their OwnTerms provides a complex and insightful portrait of intermarried couples and the new forms of American Judaism that they are constructing.
Although fewer American Jews today describe themselves as religious, they overwhelmingly report a strong sense of belonging to the Jewish people. Indeed, Jewish peoplehood has eclipsed religion—as well as ethnicity and nationality—as the essence of what binds Jews around the globe to one another. In Jewish Peoplehood, Noam Pianko highlights the current significance and future relevance of “peoplehood” by tracing the rise, transformation, and return of this novel term.
When he learned he had ALS and roughly two years to live, literary critic Mark Krupnick returned to the writers who had been his lifelong conversation partners and asked with renewed intensity: how do you live as a Jew, when, mostly, you live in your head? The evocative and sinuous essays collected here are the products of this inquiry. In his search for durable principles, Krupnick follows Lionel Trilling, Cynthia Ozick, Geoffrey Hartman, Philip Roth, Saul Bellow, and others into the elemental matters of life and death, sex and gender, power and vulnerability.
The editors—Krupnick’s wife, Jean K. Carney, and literary critic Mark Shechner—have also included earlier essays and introductions that link Krupnick’s work with the “deep places” of his own imagination.
Jewish themes in American art were not very visible until the last two decades, although many famous twentieth-century artists and critics were and are Jewish. Few artists responded openly to the Holocaust until the 1960s, when it finally began to act as a galvanizing force, allowing Jewish-American artists to express their Jewish identity in their work. Baigell describes how artists initially deflected their responses into abstract forms or by invoking biblical and traditional figures and then in more recent decades confronted directly Holocaust imagery and memory. He traces the development of artistic work from the late 1930s to the present in a moving study of a long overlooked topic in the history of American art.
This is the first full-scale history of the only organized American Jewish opposition to Zionism during the 1940s. Despite extensive literature on the Zionist movement, the Jewish opposition to Zionism has received only marginal and usually negative attention. In this impartial study, Thomas A. Kolsky examines the neglected phenomenon of Jewish anti-Zionism, its roots, and its results.
In 1942, a number of dissident Reform rabbis founded the American Council for Judaism, the first and only Jewish organization created to fight against Zionism and the establishment of a Jewish state. Emphasizing the purely religious nature of Judaism and unequivocally rejecting Jewish nationalism, the Council supported free Jewish immigration and equal rights for Jews throughout the world. For Palestine, specifically, it advocated establishment of a democratic state wherein all citizens, regardless of their religion, would enjoy equal political rights.
Summarizing both the history of Zionism and the history of American Jews, Kolsky traces the effects of the Holocaust on the Zionist movement and the personalities that shaped the leadership of the Council. Its position toward Zionism has particular contemporary relevance in understanding the historical relationship between Israel and the Palestinians.
Will American Jews survive their success? Or will the United States' uniquely hospitable environment lead inexorably to their assimilation and loss of cultural identity? This is the conundrum that Seymour Lipset and Earl Raab explore in their wise and learned book about the American Jewish experience.
Jews, perhaps more than any ethnic or religious minority that has immigrated to these shores, have benefited from the country's openness, egalitarianism, and social heterogeneity. This unusually good fit, the authors argue, has as much to do with the exceptionalism of the Jewish people as with that of America. But acceptance for all ancestral groups has its downside: integration into the mainstream erodes their defining features, diluting the loyalties that sustain their members.
The authors vividly illustrate this paradox as it is experienced by American Jews today--in their high rates of intermarriage, their waning observance of religious rites, their extraordinary academic and professional success, their commitment to liberalism in domestic politics, and their steadfast defense of Israel. Yet Jews view these trends with a sense of foreboding: "We feel very comfortable in America--but anti-Semitism is a serious problem"; "We would be desolate if Israel were lost--but we don't feel as close to that country as we used to"; "More of our youth are seeking some serious form of Jewish affirmation and involvement--but more of them are slipping away from Jewish life." These are the contradictions tormenting American Jews as they struggle anew with the never-dying problem of Jewish continuity.
A graceful and immensely readable work, Jews and the New American Scene provides a remarkable range of scholarship, anecdote, and statistical research--the clearest, most up-to-date account available of the dilemma facing American Jews in their third century of citizenship.
Since the earliest days of the British fur trade, Jewish pioneers have made Michigan their home. Judith Levin Cantor's Jews in Michigan captures the struggles and triumphs of Michigan's Jews as they worked to establish farms, businesses and synagogues, sparking commercial and residential development throughout the state, and even into the far reaches of the Upper Peninsula. Cantor celebrates both urban and rural immigrants, who supplied essential goods and services to those in lumbering, mining, and automobile manufacturing. She also deals honestly with questions of anti-Semitism and prejudice. Cantor's book shows how, in the quest to build strong communities, Jewish residents also helped create the foundations of the Michigan we know today.
Jews have always been one of Nevada’s most active and influential ethnic minorities. They were among the state’s earliest Euro-American settlers, and from the beginning they have been involved in every area of the state’s life as businessmen, agrarians, scholars, educators, artists, politicians, and civic, professional, and religious leaders. Jews in Nevada is an engaging, multilayered chronicle of their lives and contributions to the state. Here are absorbing accounts of individuals and families who helped to settle and develop the state, as well as thoughtful analyses of larger issues, such as the reasons Jews came to Nevada in the first place, how they created homes and interacted with non-Jews, and how they preserved their religious and cultural traditions as a small minority in a sparsely populated region.
Why do well-educated, highly Americanized, and financially secure Jews join a synagogue and participate in its religious life? This study of Conservative Jews examines the largest movement of synagogue-affiliated Jews in the United States, a group that outnumbers the combined membership of Reform and Orthodox congregations and a population that adheres to a centrist version of Judaism. The scholars who contribute to this study ask a series of provocative questions: How do these Jews negotiate the tensions between the traditional values of their religion and modern sensibilities? What meaning do they find in synagogue participation? How crucial are rabbis in the "success" of congregations?
Written by a team of scholars employing the tools of demography, ethnography, sociology, history, and comparative religious studies, Jews in the Center offers the most comprehensive view of any religious movement within American Judaism----and indeed, one of the most detailed studies of any denomination in American religious life.
Jews in the Center seeks to understand how synagogues function as congregations and to what extent they allow for individual self-expression. By focusing on a mainstream population, this book sheds light on religious people who generally receive the least attention----the broad center who neither retreat from society nor blur all boundaries between their religion and modern American culture.
Unlike the other cultural groups covered in the People of Wisconsin series, the Jews who have made their home in Wisconsin are united not by a single country of origin, but by a shared history and set of religious beliefs. This diverse group found their way to America’s heartland over several centuries from Germany, Russia, and beyond, some fleeing violence and persecution, others searching for new opportunities, but all making important contributions to the fabric of this state’s history. Through detailed historical information and personal accounts, Sheila Terman Cohen brings to life the stories of their various trials and triumphs. Jews in Wisconsin details their battles against anti-Semitism, their efforts to participate in the communities they joined, and their successes at holding onto their own cultural identities.
In addition to excerpts of Cohen’s many interviews with Wisconsin Jews, Jews in Wisconsin also features the compelling journals of German immigrant Louis Heller, a tradesman who established himself in Milwaukee, and Russian immigrant Azriel Kanter, who details the perilous journey his family embarked on to escape anti-Semitism in his home country and make a new life in Wisconsin.
Honorable Mention, 2021 Saul Viener Book Prize
The Jews’ Indian investigates the history of American Jewish relationships with Native Americans, both in the realm of cultural imagination and in face-to-face encounters. These two groups’ exchanges were numerous and diverse, proving at times harmonious when Jews’ and Natives people’s economic and social interests aligned, but discordant and fraught at other times. American Jews could be as exploitative of Native cultural, social, and political issues as other American settlers, and historian David Koffman argues that these interactions both unsettle and historicize the often triumphant consensus history of American Jewish life. Focusing on the ways Jewish class mobility and civic belonging were wrapped up in the dynamics of power and myth making that so severely impacted Native Americans, this books is provocative and timely, the first history to critically analyze Jewish participation in, and Jews’ grappling with the legacies of Native American history and the colonial project upon which America rests.
He was the second pitcher in major league history to win 100 games in each league. The first was CY Young. He was the second pitcher to strike out 1000 in each league; again, only Cy Young beat hims to it. When Bunning retired at the end of the 1971 season, only one man -- Walter Johnson -- had more career strikeouts.
A proud, intensely competitive man, Bunning relished his duels with Ted Williams, Micky Mantle, and other slugging superstars of the day. What he didn't relish was dealing with sportswriter who didn't do their homework and with baseball leaders whose mismanagement, Bunning felt, jeopardized the game's place in the nation's heart. He waged battles with the likes of former commissioner Peter Ueberroth and club-owner-turned-interim-commissioner Bud Selig.
But Bunning did more than play baseball. He was a driving force in the early years of the Players Association, one of the men responsible for choosing Marvin Miller as head of the union. Bunning also was a manager in the minor leagues and in Puerto Rico and the Dominican Republic and was even a player's agent for a time. His baseball career behind him, he began a second career in politics. With a huge assist from his wife, Mary, the mother of their nine children, he waged an unsuccessful gubernational campaign in Kentucky and then became a six-term congressman. Bunning is currently running for the U.S. Senate seat in Kentucky.
Jim Crow is the figure that has long represented America’s imperfect union. When the white actor Thomas D. Rice took to the stage in blackface as Jim Crow, during the 1830s, a ragged and charismatic trickster began channeling black folklore through American popular culture. This compact edition of the earliest Jim Crow plays and songs presents essential performances that assembled backtalk, banter, masquerade, and dance into the diagnostic American style. Quite contrary to Jim Crow’s reputation—which is to say, the term’s later meaning—these early acts undermine both racism and slavery. They celebrate an irresistibly attractive blackness in a young Republic that had failed to come together until Americans agreed to disagree over Jim Crow’s meaning.
As they permeated American popular culture, these distinctive themes formed a template which anticipated minstrel shows, vaudeville, ragtime, jazz, early talking film, and rock ‘n’ roll. They all show whites using rogue blackness to rehearse their mutual disaffection and uneven exclusion.
This protest campaign, carried out on a level not seen since the abolitionist movement, galvanized a vast community of men and women. Blacks and whites, professionals and laymen, signed petitions, wrote protest letters, participated in organized mass meetings, lobbied public officials, directly confronted Wilson, made known their plight through publicity campaigns, and, in at least one case, marched to express their opposition. Patler provides a thorough examination of the two national organizations that led these protests efforts - the National Association for the Advancement of Colored People and William Monroe Trotter's National Equal Rights League - and deftly contextualizes the movement, while emphasizing the tragic, enduring consequences of the Wilson administration's actions.
Jim Crow Guide documents the system of legally imposed American apartheid that prevailed during what Stetson Kennedy calls "the long century from Emancipation to the Overcoming." The mock guidebook covers every area of activity where the tentacles of Jim Crow reached. From the texts of state statutes, municipal ordinances, federal regulations, and judicial rulings, Kennedy exhumes the legalistic skeleton of Jim Crow in a work of permanent value for scholars and of exceptional appeal for general readers.
As Eurie Dahn demonstrates, authors like James Weldon Johnson, Nella Larsen, William Faulkner, and Jean Toomer wrote in the context of interracial and black periodical networks, which shaped the literature they produced and their concerns about racial violence. This original study also explores the overlooked intersections between the black press and modernist and Harlem Renaissance texts, and highlights key sites where readers and writers worked toward bottom-up sociopolitical changes during a period of legalized segregation.
Guided by this approach, this book debunks the idea that the sociology practiced by early African Americans does not exemplify scholarly excellence. Instead, Earl Wright demonstrates that Tuskegee Institute, under the leadership of Booker T. Washington, established the first applied program of rural sociology. Fisk University, first under the guidance of George Edmund Haynes then Charles S. Johnson, developed one of the earliest and most impactful programs of applied urban sociology. Wright extends our understanding of W. E. B. Du Bois’s Atlanta Sociological Laboratory with an articulation of the contributions of women to the first American school of sociology. Jim Crow Sociology forces contemporary scholars to grapple with who are and who are not included in the disciplinary canon. Specifically, this book forces us to ask why early African American sociologists and HBCUs are not canonized. What makes this book most consequential is that it provides evidence supporting the proposition that sociology began in earnest in the United States as a Black and southern enterprise.
In Job Man, Multerer, along with his friend Larry Widen, shows what life was like for wrestlers outside the spotlight. Long nights on the road, thoughtful takes on some the biggest personalities in the business, and, perhaps most of all, a love for the sport, are as much a part of Multerer’s revealing and remarkable story as his time in the ring.
Since 1970, women have made widely publicized gains in several customarily male occupations. Many commentators have understood this apparent integration as an important step to sexual equality in the workplace. Barbara F. Reskin and Patricia A. Roos read a different lesson in the changing gender composition of occupations that were traditionally reserved for men. With persuasive evidence, Job Queues, Gender Queues offers a controversial interpretation of women's dramatic inroads into several male occupations based on case studies of "feminizing" male occupation.
The authors propose and develop a queuing theory of occupations' sex composition. This theory contends that the labor market comprises a "gender queue" with employers preferring male to female workers for most jobs. Workers also rank jobs into a "job queue." As a result, the highest-ranked workers monopolize the most desirable jobs. Reskin and Roos use this queuing perspective to explain why several male occupations opened their doors to women after 1970. The second part of the book provides evidence for this queuing analysis by presenting case studies of the feminization of specific occupations. These include book editor, pharmacist, public relations specialist, bank manager, systems analyst, insurance adjuster, insurance salesperson, real estate salesperson, bartender, baker, and typesetter/compositor.
Senate majority leader Joseph Taylor Robinson was undoubtedly one of the most powerful U.S. senators of the early twentieth century. An important political figure in Arkansas from the time he was elected to the state legislature in 1895, Joe T., as he was popularly called became nationally prominent when he ascended to the Democratic leadership of the U.S. Senate in 1923.
Robinson’s career spanned momentous legislative debates in the chambers of the Senate, such as the League of Nations charter, the Teapot Dome Scandal, and FDR’s plan to “pack” the Supreme Court. His run for the vice-presidency in 1928, the first Southerner on a major ticket after the Civil War, and his three terms as chairman of the Democratic National Convention, in 1920, 1928, and 1936, are all covered in this perceptive study.
"[The Joffrey Ballet is] remarkable for its warmth and vigor, and for its blending of candor and judiciousness."—Jack Anderson, New York Times Book Review
"A milestone in dance writing. Few studies in the field will be able to match Sasha Anawalt's elegant style."—Anna Kisselgoff, New York Times
"Anawalt transforms years of meticulous research into a cliffhanger of a history."—Elizabeth Zimmer, dance editor, Village Voice
"[The Joffrey Ballet] is a meticulously detailed, well-documented history, juiced with a little gossip here and there . . . [and] a valuable sweeping look at this all-important troupe."—Sid Smith, Chicago Tribune Book Review
"[Anawalt's] approach is deeper and more satisfying than straightforward biography."—Marcia B. Siegel, Village Voice
Amy C. Beal chronicles Beyer's life from her early participation in New York's contemporary music scene through her performances at the Federal Music Project's Composers' Forum-Laboratory concerts to her unfortunate early death in 1944. This book is a portrait of a passionate and creative woman underestimated by her music community even as she tirelessly applied her gifts with compositional rigor.
The first book-length study of the composer's life and music, Johanna Beyer reclaims a uniquely innovative artist and body of work for a new generation.
Initially admiring Thomas Paine’s efforts for independence, John Adams nevertheless was rattled by the political philosophy of Common Sense and responded to it by publishing his Thoughts on Government to counteract Paine’s proposals, which Adams said were far too “democratical.” Although John Adams is given credit for his substantive contributions to American constitutionalism, especially his notions of separation of powers, checks and balances, and representation, in John Adams vs Thomas Paine: Rival Plans for the Early Republic, historian Jett B. Conner makes the case that Thomas Paine was more than just a revolutionary figure who spurred Americans toward declaring independence. Common Sense made important contributions to American constitutional thought, too, particularly its call for more equal representation, popular sovereignty, a constitutional convention, and a federal system of governance with a strong central government. The book explores how the two rivals helped shape America’s first constitutions—the Articles of Confederation and those of several states— and how they continued contributing to American political thought as it developed during the so-called “critical period” between the adoption of the Articles of Confederation and the start of the Constitutional Convention of 1787. It also focuses on the creation of our democratic republic and compares Paine’s and Adams’s approaches to structuring constitutions to ensure free government while guarding against abuses of power and the excesses of democratic majorities. An abridged version of Common Sense and the short but complete Thoughts on Government are included in an appendix for easy reader reference.
The life of John Archibald Campbell reflects nearly every major development of 19th-century American history. He participated either directly or indirectly in events ranging from the Indian removal process of the 1830s, to sectionalism and the Civil War, to Reconstruction and redemption. Although not a defender of slavery, he feared that abrupt abolition would produce severe economic and social dislocation. He urged southerners to reform their labor system and to prepare for the eventual abolition of slavery. In the early 1850s he proposed a series of reforms to strengthen slave families and to educate the slaves to prepare them for assimilation into society as productive citizens. These views distinguished him from many southerners who steadfastly maintained the sanctity of the peculiar institution.
Born and schooled in Georgia, Campbell moved to Montgomery, Alabama, in the early 1830s, where he joined a successful law practice. He served in the Alabama legislature for a brief period and then moved with his family to Mobile to establish a law practice. In 1853 Campbell was appointed an associate justice of the U.S. Supreme Court. His concurring opinion in the Dred Scott case in 1857 derived not from the standpoint of protecting slavery but from an attempt to return political power to the states. As the sectional crisis gathered heat, Campbell counseled moderation. He became widely detested in the North because of his defense of states’ rights, and he was distrusted in the South because of his moderate views on slavery and secession. In May 1861 Campbell resigned from the Court and later became the Confederacy's assistant secretary of war. After the war, Campbell moved his law practice to New Orleans. Upon his death in 1889, memorial speakers in Washington, D.C., and New Orleans recognized him as one of the nation's most gifted lawyers and praised his vast learning and mastery of both the common law and the civil law.
In this first full biography of Campbell, Robert Saunders, Jr., reveals the prevalence of anti-secession views prior to the Civil War and covers both the judicial aspects and the political history of this crucial period in southern history.
The Life of the First Captain of the United States Navy
Finalist for the Rear Admiral Samuel Eliot Morison Award for Excellence in Naval Literature
“Ashore as well as at sea, Tim McGrath paints an informative, engaging and highly entertaining portrait of this worthy but neglected hero of American independence. The author shows us a man who was a magnificent embodiment of common sense—and uncommon courage and dedication. That such a work is long overdue makes its achievement all the more pleasurable.”—Wall Street Journal
“Combining sophisticated use of sources with a pleasing writing style, McGrath masterfully rescues a father of the U.S. Navy from unmerited eclipse.”—Publishers Weekly
“A nearly indispensable addition to U.S. Navy collections.”—Booklist“McGrath employs exemplary narrative style in this work. . . . In John Barry, the author adroitly juxtaposes maritime history, narratives of naval combat, and early U.S. social history.”—New England Quarterly
“McGrath is a compelling and lucid writer. He brings Barry to life, makes battles understandable, and provides the clearest description of Barry's 1778 capture of the British transport ships Mermaid and Kitty that this reviewer has seen.”—Pennsylvania Magazine of History and Biography
“A great read and an absorbing account of a drama-filled life.”—Naval History
“Well researched, well written, and a pleasure to read, this book restores John Barry to the important place he once held as one of our nation’s great heroes. It is a tale of high adventure and personal courage and you will not want to put it down.” —JAMES L. NELSON, author of George Washington’s Secret Navy
“Readers of this vivid biography will imagine they smell the ocean’s salt air and the sulfurous fumes of gunpowder as they navigate these action-packed pages. Fans of Horatio Hornblower and Lucky Jack Aubrey will rejoice in discovering their real-life American counterpart.”—GREGORY J. URWIN, author of Facing Fearful Odds: The Siege of Wake Island
The man regarded as “the Father of the American Navy” returns to the quarterdeck in John Barry: An American Hero in the Age of Sail, the first comprehensive biography of this legendary officer in generations. Son of a hardscrabble Irish farmer from County Wexford, Barry was sent to sea as a child, arriving in Philadelphia during the restless decade before the American Revolution. Brave and ambitious, he ascended the ratlines to become a successful merchant captain at a young age, commanding the most prestigious ship in the colonies and recording the fastest known day of sail in the century.
Volunteering to fight for the Continental cause, Barry saw his star rise during the War for Independence. As captain of the Lexington, Raleigh, and Alliance, Barry faced down broadsides, mutinies, and even a fleet of icebergs. He captured the first enemy warship taken by a Continental vessel and fought the last battle of the American Revolution. His hard-won victory over two British warships simultaneously garnered him international notoriety, while his skill as a seafarer and cool temper established Barry as a worthy foe among British captains. Without a ship during the winter of 1776-77, the ever resourceful Barry lead a battery of naval artillery at the battle of Princeton. With peace came a historic voyage to China, where Barry helped open trade with that reclusive empire. In 1794, President Washington named Barry as the first commissioned officer in the new United States Navy. Given the title of commodore, Barry ended his career during America’s naval war with France, teaching the ropes to a new generation of officers, most notably Stephen Decatur.
Drawn from primary source documents from around the world, John Barry: An American Hero in the Age of Sail by Tim McGrath brings the story of this self-made American back to life in a major new biography.
During his term as governor (1901–1906), Robert La Follette routinely consulted with University of Wisconsin researchers to devise groundbreaking programs and legislation. Although the Wisconsin Idea is often attributed to a 1904 speech by Charles Van Hise, then president of the University of Wisconsin, David Hoeveler argues that it originated decades earlier, in the creative and fertile mind of John Bascom.
A philosopher, theologian, and sociologist, Bascom (1827–1922) deeply influenced a generation of students at the University of Wisconsin, including La Follette and Van Hise. Hoeveler documents how Bascom drew concepts from German idealism, liberal Protestantism, and evolutionary theory, transforming them into advocacy for social and political reform. He was a champion of temperance, women's rights, and labor, all of which brought him controversy as president of the university from 1874 to 1887. In a way unmatched by any of his peers at other institutions, Bascom outlined a social gospel that called for an expanded role for state governments and universities as agencies of moral improvement.
Hoeveler traces the intellectual history of the Wisconsin Idea from the nineteenth century to such influential Progressive Era thinkers as Richard T. Ely and John R. Commons, who believed university researchers should be a vital source of expertise for government and citizens.
“Previous biographers have poorly understood Hood within the culture of his times, but Miller’s study is a refreshing look at this important theme. Relying on the perspective of memory studies and the experience of amputees, he adds new dimensions to our understanding of Hood and the Civil War.”
—Earl J. Hess, author of In the Trenches at Petersburg: Field Fortifications and Confederate Defeat
“Miller is particularly strong on the cultivation of Hood’s legend as part of the Lost Cause narrative. . . . He has done nice work in areas previously neglected, offering the first new research on Hood to emerge in years.”
—David Coffey, author of John Bell Hood and the Struggle for Atlanta
Some Southern generals, like Lee and Jackson, have stood the test of time, celebrated in their place in history. And then there are generals like John Bell Hood, reviled and ridiculed by generations of Civil War historians as one of the inglorious architects of the Confederate disgrace in the Western Theater. The time has come to rethink this long-held notion, argues Brian Miller, in his comprehensive new biography, John Bell Hood and the Fight for Civil War Memory, and to reassess John Bell Hood as a man, a myth, and a memory.
In this first biography of the general in more than twenty years, Miller offers a new, original perspective, directly challenging those historians who have pointed to Hood’s perceived personality flaws, his alleged abuse of painkillers, and other unsubstantiated claims as proof of his incompetence as a military leader. This book takes into account Hood’s entire life—as a student at West Point, his meteoric rise and fall as a soldier and Civil War commander, and his career as a successful postwar businessman. In many ways, Hood represents a typical southern man, consumed by personal and societal definitions of manhood that were threatened by amputation and preserved and reconstructed by Civil War memory. Miller consults an extensive variety of sources, explaining not only what Hood did but also the environment in which he lived and how it affected him.
What emerges is a more nuanced, balanced portrait, unfettered by the one-sided perceptions of previous historical narratives. It gives Hood the fair treatment he has been denied for far too long. By looking at Hood’s formative years, his wartime experiences, and his postwar struggles to preserve his good name, this book opens up a provocative new perspective on the life of this controversial figure.
Brian Craig Miller is an assistant professor of history at Emporia State University. He is the author of The American Memory: Americans and Their History in 1877.
This edition is introduced by John Brown scholar William S. King, who provides the background to the writing of the biography which took place during a turbulent time of race relations and competing visions from Booker T. Washington and Du Bois for the future of Black Americans. “Du Bois,” King reminds us, “remains one of the best writers on this phase of American history, which is still at our core.”
Mixing idealism with violence, abolitionist John Brown cut a wide swath across the United States before winding up in Virginia, where he led an attack on the U.S. armory and arsenal at Harpers Ferry. Supported by a “provisional army” of 21 men, Brown hoped to rouse the slaves in Virginia to rebellion. But he was quickly captured and, after a short but stormy trial, hanged on December 2, 1859.
Brian McGinty provides the first comprehensive account of the trial, which raised important questions about jurisdiction, judicial fairness, and the nature of treason under the American constitutional system. After the jury returned its guilty verdict, an appeal was quickly disposed of, and the governor of Virginia refused to grant clemency. Brown met his death not as an enemy of the American people but as an enemy of Southern slaveholders.
Historians have long credited the Harpers Ferry raid with rousing the country to a fever pitch of sectionalism and accelerating the onset of the Civil War. McGinty sees Brown’s trial, rather than his raid, as the real turning point in the struggle between North and South. If Brown had been killed in Harpers Ferry (as he nearly was), or condemned to death in a summary court-martial, his raid would have had little effect. Because he survived to stand trial before a Virginia judge and jury, and argue the case against slavery with an eloquence that reverberated around the world, he became a symbol of the struggle to abolish slavery and a martyr to the cause of freedom.
John Calvin Brown was a Confederate general, Tennessee politician, railroad executive, and lawyer, and yet he is little known to today’s Americans. He left behind few personal papers and died relatively young despite his remarkably productive life, leaving his voice silent while historical debate raged over events in which he was a significant player.
John C. Brown of Tennessee is the first full-scale biography of this understudied figure. Author Sam Davis Elliott’s comprehensive research reveals how Brown rose to the rank of general in the Confederate Army of Tennessee. A five-time wounded veteran of nearly every one of the army’s battles from Fort Donelson to Franklin, Brown played a unique utility role as a division commander in the 1864 Atlanta Campaign. There is a substantial likelihood he was an early leader of the Ku Klux Klan after the war, but more well-established is his role as leader in the anti-Brownlow movement that sought to end Radical Reconstruction in Tennessee. He was selected president of the 1870 constitutional convention, which helped lead to his election as governor later that year. After his tumultuous time as governor seeking to resolve economic conflicts that began before the Civil War, he became a railroad executive and industrialist. He had a significant role in the struggle between rival financiers for control of the southern route to the Pacific, and was in the front lines of management on behalf of the Texas and Pacific Railroad during the Great Southwest Railroad Strike of 1886. His wide-ranging and successful career reflects not only the attributes of Brown’s character, but provides insight into many key events of nineteenth-century America.
John C. Brown of Tennessee fills not only a biographical but a historiographical gap in the literature on the Civil War and Reconstruction in Tennessee and the post-Confederate South.
WINNER OF THE TENNESSEE HISTORY BOOK AWARD
John Calvin Brown was a Confederate general, Tennessee politician, railroad executive, and lawyer, and yet he is little known to today’s Americans. He left behind few personal papers and died relatively young despite his remarkably productive life, leaving his voice silent while historical debate raged over events in which he was a significant player.
John C. Brown of Tennessee is the first full-scale biography of this understudied figure. Author Sam Davis Elliott’s comprehensive research reveals how Brown rose to the rank of general in the Confederate Army of Tennessee. A five-time wounded veteran of nearly every one of the army’s battles from Fort Donelson to Franklin, Brown played a unique utility role as a division commander in the 1864 Atlanta Campaign. There is a substantial likelihood he was an early leader of the Ku Klux Klan after the war, but more well-established is his role as leader in the anti-Brownlow movement that sought to end Radical Reconstruction in Tennessee. He was selected president of the 1870 constitutional convention, which helped lead to his election as governor later that year. After his tumultuous time as governor seeking to resolve economic conflicts that began before the Civil War, he became a railroad executive and industrialist. He had a significant role in the struggle between rival financiers for control of the southern route to the Pacific, and was in the front lines of management on behalf of the Texas and Pacific Railroad during the Great Southwest Railroad Strike of 1886. His wide-ranging and successful career reflects not only the attributes of Brown’s character, but provides insight into many key events of nineteenth-century America.
John C. Brown of Tennessee fills not only a biographical but a historiographical gap in the literature on the Civil War and Reconstruction in Tennessee and the post-Confederate South.
Sam Davis Elliott is a practicing attorney in Chattanooga. He is the author of Isham G. Harris of Tennessee and Soldier of Tennessee: General Alexander P. Stewart and the Civil War in the West, and the editor of Doctor Quintard, Chaplain C.S.A. and Second Bishop of Tennessee.
American writer, composer, artist, and philosopher John Cage (1912–92) is best known for his experimental composition 4’33,” a musical score in which the performer does not play an instrument during the duration of the piece. The purpose, Cage said, was for the audience to listen to the sounds of the environment around them while the piece was performed. Groundbreaking pieces such as 4’33”, as well as Sonatas and Interludes not only established Cage as a leading figure in the postwar avant-garde movement, but also cemented the enduring controversy surrounding his work.
John Cage: Composed in America is the first book-length work to address the "other" John Cage, a revisionist treatment of the way Cage himself has composed and been "composed" in America. Cage, as these original essays testify, is a contradictory figure. A disciple of Duchamp and Schoenberg, Satie and Joyce, he created compositions that undercut some of these artists' central principles and then attributed his own compositional theories to their "tradition." An American in the Emerson-Thoreau mold, he paradoxically won his biggest audience in Europe. A freewheeling, Californian artist, Cage was committed to a severe work ethic and a firm discipline, especially the discipline of Zen Buddhism.
Following the text of Cage's lecture-poem "Overpopulation and Art," delivered at Stanford shortly before his death and published here for the first time, ten critics respond to the challenge of the complexity and contradiction exhibited in his varied work. In keeping with Cage's own interdisciplinarity, the critics approach that work from a variety of disciplines: philosophy (Daniel Herwitz, Gerald L. Bruns), biography and cultural history (Thomas S. Hines), game and chaos theory (N. Katherine Hayles), music culture (Jann Pasler), opera history (Herbert Lindenberger), literary and art criticism (Marjorie Perloff), cultural poetics (Gordana P. Crnkovic, Charles Junkerman), and poetic practice (Joan Retallack). But such labels are themselves confining: each of the essays sets up boundaries only to cross them at key points. The book thus represents, to use Cage's own phrase, a much needed "beginning with ideas."
In John Dewey, America’s Peace-Minded Educator, authors Charles F. Howlett and Audrey Cohan take a close look at John Dewey’s many undertakings on behalf of world peace. This volume covers Dewey’s support of, and subsequent disillusionment with, the First World War as well as his postwar involvement in trying to prevent another world war. Other topics include his interest in peace movements in education, his condemnation of American military intervention in Latin America and of armaments and munitions makers during the Great Depression, his defense of civil liberties during World War II, and his cautions at the start of the atomic age. The concluding epilogue discusses how Dewey fell out of favor with some academics and social critics in the 1950s and explores how Dewey’s ideas can still be useful to peace education today.
Exploring Dewey’s use of pragmatic philosophy to build a consensus for world peace, Howlett and Cohan illuminate a previously neglected aspect of his contributions to American political and social thought and remind us of the importance of creating a culture of peace through educational awareness.
Among the finer soldier-diarists of the Civil War, John Edward Dooley first came to the attention of readers when an edition of his wartime journal, edited by Joseph Durkin, was published in 1945. That book, John Dooley, Confederate Soldier, became a widely used resource for historians, who frequently tapped Dooley’s vivid accounts of Second Bull Run, Antietam, and Gettysburg, where he was wounded during Pickett’s Charge and subsequently captured.
As it happens, the 1945 edition is actually a much-truncated version of Dooley’s original journal that fails to capture the full scope of his wartime experience—the oscillating rhythm of life on the campaign trail, in camp, in Union prisons, and on parole. Nor does it recognize how Dooley, the son of a successful Irish-born Richmond businessman, used his reminiscences as a testament to the Lost Cause. John Dooley’s Civil War gives us, for the first time, a comprehensive version of Dooley’s “war notes,” which editor Robert Emmett Curran has reassembled from seven different manuscripts and meticulously annotated. The notes were created as diaries that recorded Dooley’s service as an officer in the famed First Virginia Regiment along with his twenty months as a prisoner of war. After the war, they were expanded and recast years later as Dooley, then studying for the Catholic priesthood, reflected on the war and its aftermath. As Curran points out, Dooley’s reworking of his writings was shaped in large part by his ethnic heritage and the connections he drew between the aspirations of the Irish and those of the white South.
In addition to the war notes, the book includes a prewar essay that Dooley wrote in defense of secession and an extended poem he penned in 1870 on what he perceived as the evils of Reconstruction. The result is a remarkable picture not only of how one articulate southerner endured the hardships of war and imprisonment, but also of how he positioned his own experience within the tragic myth of valor, sacrifice, and crushed dreams of independence that former Confederates fashioned in the postwar era.
This classic biography is now in its fourth USU Press printing. It is unparalleled in providing a thorough and accurate account of John D. Lee's involvement in the tragic 1857 Mountain Meadows Massacre.
No previous work on John Eliot's mission to the Indians has told such a comprehensive and engaging story. Richard Cogley takes a dual approach: he delves deeply into Eliot's theological writings and describes the historical development of Eliot's missionary work. By relating the two, he presents fresh perspectives that challenge widely accepted assessments of the Puritan mission.
Cogley incorporates Eliot's eschatology into the history of the mission, takes into account the biographies of the proselytes (the "praying Indians") and the individual histories of the Christian Indian settlements (the "praying towns"), and corrects misperceptions about the mission's role in English expansion. He also addresses other interpretive problems in Eliot's mission, such as why the Puritans postponed their evangelizing mission until 1646, why Indians accepted or rejected the mission, and whether the mission played a role in causing King Philip's War.
This book makes signal contributions to New England history, Native American history, and religious studies.
This study represents the first scholarly biography of this self-effacing man so long overshadowed by Lincoln. Drawing on extensive research in the Nicolay Papers, Allen Carden and Thomas Ebert trace Nicolay’s childhood arrival in America to his involvement in journalism and state government in Illinois. Acquainted with Lincoln in Springfield, Nicolay became a trusted assistant selected by Lincoln to be his private secretary. Intensely devoted to the president, he kept the White House running smoothly and allowed Lincoln to focus on the top priorities. After Lincoln’s death, Nicolay’s greatest achievement was his co-authorship, with his White House assistant, John Hay, of the first thoroughly documented account of Lincoln’s life and administration, a work still consulted by historians.
“Nicolay,” Carden and Ebert write, “did not make Lincoln great, but he helped make it possible for Lincoln to achieve greatness.” An essential addition to Lincoln studies, this edifying volume reveals not only how Nicolay served the Great Emancipator during his administration but also how he strove to preserve and shape Lincoln’s legacy for generations to come.
The New England of his day regarded John Gorham Palfrey's life as blameless and exemplary, a nineteenth-century "monument to the Puritan ideal of rectitude." Yet he himself once called it "his personal tragicomedy." At least, it was diverse, for Palfrey had been historian, Harvard educator, Unitarian minister, Massachusetts politician, editor of the North American Review, and crusader against slavery, and himself an emancipator. During his lifetime, from 1796 to 1881, Palfrey participated, sometimes reluctantly, in revolutionary changes in the political, economic, and intellectual climate of New England.
In his stormy political career, Palfrey not only was Massachusetts Secretary of State, member of Congress, and Postmaster of Boston, but also played a key role in the formation of the Free Soil Party. When the Whigs, in the name of national unity and compromise, seemed to ignore the moral necessities of the slavery question, he joined with such men as Charles Francis Adams, Charles Sumner and Richard Henry Dana, Jr., to reaffirm traditional moral values. From this struggle, Palfrey emerged a political loser. Hampered by inflexibility, he laterretreated to his study to write his massive history of New England, nursing his disappointment and cherishing his sense of rectitude. We are left with the image of a man whose achievements were substantial, perhaps because he insisted upon making his life a Bay State morality play.
For this biography of Palfrey, Gatell has used papers of Palfrey's contemporaries and of the Palfrey family manuscripts, among them an unpublished autobiography, itself a search for meaning in a long and perplexing life.
A legend in his own lifetime, John Hance (1837–1919) was synonymous with early Grand Canyon tourism. Between the late 1880s and early 1900s, to say “John Hance” was to say “Grand Canyon.” Hance was well known to travelers and visiting dignitaries alike, men such as William “Buffalo Bill” Cody and Theodore Roosevelt, the president who affectionately referred to him as “the greatest liar on earth.” It was said that Hance tried to jump the canyon on his horse Darby only to turn back when he was halfway over and realized he would never make it across.
The truth behind Hance’s life is remarkable even without embellishment. In this book, Shane Murphy chronicles Hance’s childhood in Tennessee and Missouri, his service in the Confederacy during the Civil War, his time in Union prisons as a POW, and his later adventures with the Hickok brothers crossing the plains. Settling in Arizona’s fruitful Verde Valley, Hance farmed and filled military contracts before taking up residence as Grand Canyon’s first permanent Euro-American settler, trail builder, guide, and renowned storyteller.
Hance left no correspondence, personal memoirs, or other writings. Only informal portraits from magazines and newspaper accounts remain. Murphy investigated assessors’ rolls, rare mercantile ledgers, and mining claims to create a full and compelling narrative of a man who was once an icon of the American West and should be remembered as the founding father of Grand Canyon tourism.
Honorable Mention, 2017 Scribes Book Award, The American Society of Legal Writers
At the dawn of the twentieth century, the United States was reeling from the effects of rapid urbanization and industrialization. Time-honored verities proved obsolete, and intellectuals in all fields sought ways to make sense of an increasingly unfamiliar reality. The legal system in particular began to buckle under the weight of its anachronism. In the midst of this crisis, John Henry Wigmore, dean of the Northwestern University School of Law, single-handedly modernized the jury trial with his 1904-5 Treatise onevidence, an encyclopedic work that dominated the conduct of trials. In so doing, he inspired generations of progressive jurists—among them Oliver Wendell Holmes, Jr., Benjamin Cardozo, and Felix Frankfurter—to reshape American law to meet the demands of a new era. Yet Wigmore’s role as a prophet of modernity has slipped into obscurity. This book provides a radical reappraisal of his place in the birth of modern legal thought.
Jonah Horry Dent was born on 5 August 1815 in Newport, Rhode Island, the son of John Herbert Dent and Elizabeth Anne Horry Dent. Dent grew up in Charleston, South Carolina, and spent summers with his family on a plantation in Colleton County, South Carolina. When he was still a young child, his name was changed from “Jonah” to “John” when an older brother, named John, died, leaving little Jonah as the oldest living son. He was known as John Horry Dent the rest of his life.
Dent married Mary Elizabeth Morrison in 1835 and moved to Barbour County, Alabama, in 1836. He purchased 360 acres of land on Cowikee Creek, paying $15 an acre, and named the new plantation “Good Hope.” Dent amassed a good fortune but lost most of it after the Civil War when slavery was abolished and his slaves became freemen. In 1866 he sold his properties in Barbour County and moved to Cave Springs, Floyd County, Georgia.
Dent kept detailed records about his crops and properties until very late in life. He died in Cave Springs on 17 May 1892.
The "Great John L." reigned supreme as world heavyweight champion from his victory over Paddy Ryan in 1882 until James J. Corbett knocked him out in 1892. A drunkard, a wastrel, an adulterer, a wife beater, and a bully, Sullivan still became American's first national sports hero and represented the hopes and aspirations of millions of people.
Michael Isenberg traces Sullivan's eventful life from his humble beginnings in Boston to the height of his immense popularity. The boxer moved as easily in the world of reputable workingmen as he did in the shadowlands on the margins of the sport while his success played a major role in transforming boxing into a profitable and ultimately legitimate business. Tapping previously unexplored archival material--including the notorious National Police Gazette and the other sporting papers of the day--Isenberg tells us why presidents, princes, and turn-of-the-century Americans accepted Sullivan as a hero, even as others vilified him for his drunken and belligerent behavior.
Richard Neupert explores Lasseter's signature aesthetic and storytelling strategies and details how he became the architect of Pixar's studio style. Neupert contends that Lasseter's accomplishments emerged from a unique blend of technical skill and artistic vision, as well as a passion for working with collaborators. In addition, Neupert traces the director's career arc from the time Lasseter joined Pixar in 1984. As Neupert shows, Lasseter's ability to keep a foot in both animation and CGI allowed him to thrive in an unconventional corporate culture that valued creative interaction between colleagues. The ideas that emerged built an animation studio that updated and refined classical Hollywood storytelling practices--and changed commercial animation forever.
John Letcher, governor of Virginia from 1860 through 1863, is one of the significant leaders of the Confederacy who is still virtually unknown. This study, covering Letcher’s entire life with emphasis on his governorship, attempts to fill an obvious gap in American history. For the first time, Letcher’s lengthy career is examined in detail: early development as a local Virginia politician during the Jacksonian era, maturity as an influential congressman in the rising sectionalism of the 1850s, the crucial governorship, and finally a gradual fading away in the postwar period.
Letcher’s story is only a fragment of the epic of the transformation of the United States from a weak, uncertain confederation into a powerful, confident nation. The emergence of the colossus of the New World is a spectacular and critical event in world history, full of grandeur and suffering, idealism and disillusionment. To trace the course of Letcher's life is to follow one small current in a torrential flood-but a significant one, for Letcher was not only a leader but also in many ways a typical American of his time.
For critics and listeners, the reception of the 1950s jazz-classical hybrid Third Stream music has long been fraught. In John Lewis and the Challenge of “Real” Black Music, Christopher Coady explores the work of one of the form’s most vital practitioners, following Lewis from his role as an arranger for Miles Davis’s Birth of the Cool sessions to his leadership of the Modern Jazz Quartet, his tours of Europe, and his stewardship of the Lenox School of Jazz.
Along the way Coady shows how Lewis’s fusion works helped shore up a failing jazz industry in the wake of the 1940s big band decline, forging a new sound grounded in middle-class African American musical traditions. By taking into account the sociocultural milieu of the 1950s, Coady provides a wider context for understanding the music Lewis wrote for the Modern Jazz Quartet and sets up new ways of thinking about Cool Jazz and Third Stream music more broadly.
Candidly, with a mixture of joy, poignancy, and gratitude, the chairman and president of the John Templeton Foundation reflects on the learning and growing he has experienced and the perspectives he has gained throughout his life. In so doing, he continues the legacy of his father, Sir John Templeton, who has used stories from his life to provide instruction for his children, grandchildren, and other future descendants, just as he has drawn on those stories in his many books of inspiration and guidance for the general public.
Dr. Templeton shares stories about his personal life, his career in medicine, his early involvement with philanthropy, and his commitment to the John Templeton Foundation and its mission. Events and circumstances in his youth opened him to spirituality, taught him about altruistic love, and introduced him to values he would cultivate throughout his life: thrift, saving, hard work, creativity, and responsibility.
His journey takes him from his early life in Winchester, Tennessee, to New Jersey, Yale University, medical school, the Navy, the Children's Hospital of Philadelphia, and the John Templeton Foundation. Along the way, there were lessons learned from his disruptive behavior in elementary school; the deaths of his grandmother and mother; travel to Europe, Africa, and throughout the U.S.; marriage and fatherhood; his growing commitment as a Christian; and his family's experience with an armed robbery. It continues with his experiences in pediatric surgery at the Children's Hospital of Philadelphia, including work with conjoined twins; experience with the mutual fund industry and a role with the Templeton Growth Fund; an intensely rewarding medical specialty in trauma; philanthropy and fund-raising efforts, including a sad experience with fraud; the pride of professorship; and serving as chairman and president of the John Templeton Foundation.
With gratitude he credits his many mentors for the wisdom they passed on to him. Among them are John Galbraith, Dr. C. Everett Koop, Dr. Albert Schweitzer, and, of course, always and above all, his father. With appreciation, he recounts the blessings of a full and productive life that continue today as he provides leadership to the diverse programs and initiatives of the John Templeton Foundation.
John Mackay offers new insight into the life and achievements of this remarkable man. It also places Mackay in the broader context of his time, an era of robber barons and rampant corruption, rapidly advancing technology, national and international capitalism, and flagrant displays of newfound wealth. Even in this context, he stood out, not only for his contributions to Nevada and mining history, but also for his reputation as an important business leader fighting the consolidation and venality of corporate power in the Gilded Age. His actions freed the Comstock from a financial monopoly, resulting in moderated rates for the milling, timber, shipping, transportation, and water that made mining possible and precipitated the discovery and development of the ore field known as the “Big Bonanza.”
Makley’s book recounts the life and career of one of the most successful men of his age, a capitalist of immense wealth who generously helped those around him and worked diligently in the public interest. This engaging biography will appeal to readers interested in the Comstock Lode and mining in the West during the latter part of the nineteenth century as well as general western history enthusiasts.
A vivid portrait of the man credited as a driving force behind the most successful of the Confederate raiders, the legendary C.S.S. Alabama.
John McIntosh Kell was an experienced, proven military man, a graduate of Annapolis, a veteran of the Mexican War and of Admiral Perry’s voyage to Japan. As a Confederate officer, Kell served first on the raider Sumter and then on the Alabama. At sea for only 22 months, the Alabama engaged nearly 300 northern merchant vessels, burning 55 of these transport ships along with their million-dollar cargoes.
Though First Lieutenant ("Luff") Kell was apparently content to let his captain, Raphael Semmes, take credit for their accomplishments, Semmes acknowledged that his successes were due largely to the energy and resourcefulness of his second in command. Life on the commerce cruisers was hard and tedious, and much of the responsibility for running the day-to-day operations, including the disciplining of a largely mercenary crew, rested on Kell, whose sense of duty and loyalty did not waver.
Norman C. Delaney bases his account of this remarkable naval officer’s experiences on the interviews Kell granted to news reporters during the 1880s and 1890s (previously neglected by historians) and his memoirs, published in 1900 as Recollections of a Naval Life. He supplements these materials with records from Kell’s earlier years, including letters, journals, diaries, and contemporary observations. First published in 1973 by The University of Alabama Press, this new edition of an award-winning biography will be welcomed by Civil War historians and enthusiasts around the world, naval institutions and museums, and general readers alike.
Privileged beyond other members of his race, yet sharing their disadvantages, the young John Mercer Langston stood in an uncertain position in the years before the Civil War. His confrontation with a critical personal question was tempered by a crucial national reality: from what sources could he derive his model of manhood and human dignity? This book explores John Mercer Langston's decisions to work out his destiny through the resources and fortunes of the northern black community.
Although Langston, who died in 1897, was a black Politician, orator, lawyer, intellectual, diplomat, and congressman, he has never before been accorded fullscale biographical treatment. Born free on a Virginia plantation, Langston graduated from Oberlin College in 1849, gained admission to the Ohio bar, and by the age of twenty-five, became the first black American to hold elective office. Still in the years of his political apprenticeship, he promoted black civil rights, helped shape the nascent Republican party, aided in the Oberlin-Wellington Rescue and John Brown's raid, and recruited black soldier for the Union cause. In 1864 he became the first president of the National Equal Rights League.
From an extensive search of primary sources, the authors construct a richly textured picture of the beginnings of Langston's career as a national black leader. More than a biography, the work also incorporates social and political history. Embedded firmly in a study of northern black community life and activism, it reveals the degree to which Langston and his cohorts set the terms of the fight for freedom and citizenship.
When John Muir died in 1914, the pre-eminent American naturalist, explorer, and conservationist had not yet written the second volume of his autobiography, in which he planned to cover his Yosemite years. Editors Robert Engberg and Donald Wesling have here provided a remedy.
Their account begins in 1863, the year Muir left the University of Wisconsin for what he termed the "University of the Wilderness." Following an accident in 1867 that nearly left him blind, he vowed to turn from machines and continue to study nature. That led, in 1868, to his first visit to Yosemite Valley, where he began his glacier studies. Muir spent much time exploring the Yosemite region, Tuolumne, and both the southern and northern Sierras, publishing articles, and keeping extensive journals through 1875, when he began to write for the San Francisco Bulletin and expanded his travels to areas throughout the west.
Mining a rich vein of sources—Muir’s letters, journals, articles, and unpublished manuscripts, as well as selections drawn from biographical pieces written about Muir by people who met him in Yosemite in the early 1870s—Engberg and Wesling have assembled what they term a "composite autobiography," providing brief interpretive and transitional passages throughout the book. This work is especially valuable because it documents Muir’s formative years, when he is maturing away from "conventional cultural paradigms of work and materialism toward new ways of thinking about nature and its impact on human development."
Born in 1852, Nelligan rose through the lumberjack ranks, starting out as a humble laborer and working his way up to foreman. He worked and lived in Maine, Pennsylvania, and even Canada before coming to Wisconsin in 1871. Learn what surviving and sawing wood for a living was like many years ago—from the story of one Wisconsin man who lived it!
Otfried Hans Freiherr von Meusebach chose a life of hardship and freedom in Texas rather than a life of comfort and influence in his native Germany, where he had lived his formative years within a framework of unconstitutional government.
In 1845 the young liberal relinquished his hereditary German title, left behind his close family ties and his various intellectual and political associations, and arrived in Texas as John O. Meusebach, commissioner-general for the Society for the Protection of German Immigrants. His background enabled him to assume an enlightened leadership of fellow immigrants who were pouring in from Germany. Lacking adequate financial backing, he nevertheless led the settling of some five thousand people in a land that was largely occupied by Indians.
Irene Marschall King presents the full sweep of Meusebach's vigorous life: Meusebach as the young liberal in Germany, as the colonizer in the 1840s, as a Texas senator and, later, an observer of the Civil War, and as a Texan who devoted his later years to bringing the Texas soil to fruition—all set against a background of the immigration movement and frontier life.
"Freedom is not free; it is costly," Meusebach believed. In Texas he found for himself and others freedom worth the price he paid.
Rich in historic detail, King's story recounts the founding of Fredericksburg, the crippling effect of the Mexican War upon the mass of immigrants huddled in illness on the coast, the signing of the Indian Treaty, which opened to settlement over three million acres of land, and the final collapse of the Society for the Protection of German Immigrants. Also depicted is the colonists' influence on the land—the gardens and orchards of south central Texas, the "Easter Fires" that blaze on the hills surrounding Fredericksburg, the mixture of German custom with American necessity that created a unique culture. Throughout the narrative Mrs. King presents a fascinating cast of characters: the noble Prince Solms, who tries to establish a German military outpost in Texas; Henry Fisher, who attempts by devious methods to control the colonists and their land and finally incites a mob which tries to hang Meusebach; Philip Cappes, a special commissioner and Meusebach's assistant, who plots through intriguing correspondence with Count Castell, the executive secretary in Germany, to overthrow Meusebach; and the colorful and courageous Indian fighter and Texas Ranger, Colonel Jack Hays.
Primarily, however, this is the story of a man who found strength in his family's motto, "Perseverance in Purpose," and gave of his energies to build Texas.
The sixty extant journals and numerous notes in this volume were written from 1867 to 1911. They start seven years after the time covered in The Story of My Boyhood and Youth, Muir’s uncompleted autobiography. The earlier journals capture the essence of the Sierra Nevada and Alaska landscapes. The changing appearance of the Sierras from Sequoia north and beyond the Yosemites enthralled Muir, and the first four years of the journals reveal his dominating concern with glacial action. The later notebooks reflect his changes over the years, showing a mellowing of spirit and a deep concern for human rights.
Like all his writings, the journals concentrate on his observations in the wilderness. His devotion to his family, his many warm friendships, and his many-sided public life are hardly mentioned. Very little is said about the quarter-century battle for national parks and forest reserves. The notebooks record, in language fuller and freer than his more formal writings, the depth of his love and transcendental feeling for the wilderness. The rich heritage of his native Scotland and the unconscious music of the poetry of Burns, Milton, and the King James Bible permeate the language of his poetic fancy.
In his later life, Muir attempted to sort out these journals and, at the request of friends, published a few extracts. A year after his death in 1914, his literary executor and biographer, William Frederick Badè, also published episodes from the journals. Linnie Marsh Wolfe set out to salvage the best of his writings still left unpublished in 1938 and has thus added to our understanding of the life and thought of a complex and fascinating American figure.
With a range that spans the lyrical, heartfelt songs “Angel from Montgomery,” “Sam Stone,” and “Paradise” to the classic country music parody “You Never Even Called Me by My Name,” John Prine is a songwriter’s songwriter. Across five decades, Prine has created critically acclaimed albums—John Prine (one of Rolling Stone’s 500 Greatest Albums of All Time), Bruised Orange, and The Missing Years—and earned many honors, including two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and have influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the “new Dylan,” Prine still counts Bob Dylan among his most enthusiastic fans.
In John Prine, Eddie Huffman traces the long arc of Prine’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine’s best-known songs and discusses all of Prine’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.
With a range that spans the lyrical, heartfelt songs “Angel from Montgomery,” “Sam Stone,” and “Paradise” to the classic country music parody “You Never Even Called Me by My Name,” John Prine is a songwriter’s songwriter. Across five decades, Prine has created critically acclaimed albums—John Prine (one of Rolling Stone’s 500 Greatest Albums of All Time), Bruised Orange, and The Missing Years—and earned many honors, including two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and have influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the “new Dylan,” Prine still counts Bob Dylan among his most enthusiastic fans.
In John Prine, Eddie Huffman traces the long arc of Prine’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine’s best-known songs and discusses all of Prine’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.
An engaging account of the titan of political philosophy and the development of his most important work, A Theory of Justice, coming at a moment when its ideas are sorely needed.
It is hard to overestimate the influence of John Rawls on political philosophy and theory over the last half-century. His books have sold millions of copies worldwide, and he is one of the few philosophers whose work is known in the corridors of power as well as in the halls of academe. Rawls is most famous for the development of his view of “justice as fairness,” articulated most forcefully in his best-known work, A Theory of Justice. In it he develops a liberalism focused on improving the fate of the least advantaged, and attempts to demonstrate that, despite our differences, agreement on basic political institutions is both possible and achievable.
Critics have maintained that Rawls’s view is unrealistic and ultimately undemocratic. In this incisive new intellectual biography, Andrius Gališanka argues that in misunderstanding the origins and development of Rawls’s central argument, previous narratives fail to explain the novelty of his philosophical approach and so misunderstand the political vision he made prevalent. Gališanka draws on newly available archives of Rawls’s unpublished essays and personal papers to clarify the justifications Rawls offered for his assumption of basic moral agreement. Gališanka’s intellectual-historical approach reveals a philosopher struggling toward humbler claims than critics allege.
To engage with Rawls’s search for agreement is particularly valuable at this political juncture. By providing insight into the origins, aims, and arguments of A Theory of Justice, Gališanka’s John Rawls will allow us to consider the philosopher’s most important and influential work with fresh eyes.
John Reed (1887-1920) is best known as the author of Ten Days That Shook the World and as champion of the communist movement in the United States. Still, Reed remains a writer almost systematically ignored by the literary critical establishment, even if alternately vilified and lionized by historians and by films like Warren Beatty’s Reds.
John Reed and the Writing of Revolution examines Reed’s writing from a different critical perspective—one informed by a theoretical and practical understanding of literary nonfiction. In both politics and writing, John Reed defied fashion. In his short career, Reed transcended the traditional creative arts of fiction, poetry, and drama in favor of deeply researched histories composed with the cadence of fiction and the power of fact. Reed thereby alienated literary critics who had idealized timeless artistry against the rough-and-tumble world of historical details and political implications.
Working from a close investigation of rare articles, manuscripts, and the Reed papers at Harvard as well as from Reed’s published work, Daniel W. Lehman offers the first detailed literary study of the man who followed Pancho Villa into battle; wrote literary profiles of such characters as Henry Ford, William Jennings Bryan, and Billy Sunday; explicated the Byzantine factionalism of Eastern Europe; and witnessed the storming of the Winter Palace and the birth of Soviet Russia.
In the summer of 1807 more than a thousand subscribers from New England to Tennessee paid for the initial printing of The Life and Travels of John Robert Shaw: A Narrative of the Life and Travels of the Well-Digger, now resident of Lexington, Kentucky, Written by Himself. Shaw had come to Rhode Island as a British redcoat to put down the colonial rebellion. Through various quirks of fate, including being taken a prisoner of war, he ended up fighting with the Americans. Shaw was an exuberant spirit whose rowdy drinking bouts and related predicaments alternated with periods of wholehearted efforts at reform. His autobiography, written while he recuperated from injuries from one of several explosions (an occupational hazard for the frontier well-digger), is an articulate and entertaining record of the Revolutionary War era.
A 1930 printing of Shaw’s autobiography was rescued from the trash by an alert librarian in Kentucky in 1950. She passed the tattered copy on to journalist Oressa M. Teagarden, who became intrigued with Shaw’s story and spent much of her free time over the next two decades finding out more about the ebullient American. On Teagarden’s death, co-editor Jeanne Crabtree assumed the task of making Shaw’s authentic and colorful view of early America available to a new generation of readers.
John Spring first saw Arizona from an encampment on the west side of the Colorado River at "a small town called Yuma . . . then called Arizona City . . . it did a thriving fandango and saloon business during the period of continual going and coming of troops and teamsters." Southern Arizona, as Spring first saw and described it, was "a country where every highway, every path, every hamlet, and nearly every rancho could tell (had they the gift of speech) of devilish deeds, of crafty ambuscade, murdered settlers and travellers."
Supported by knowledge of several languages and wide reading, John Spring was able to extend his reporting to geographical and botanical description, to detailed reports of agriculture in the Santa Cruz Valley, and mercantile activity in Tucson. But he returned always to people--an irresistible center of interest for John Spring.
The lively and authentic serial reports of John Spring to the National Tribune in Washington, D.C., have been assembled and edited in this volume by A. M. Gustafson.
In March 1942, a desperate period for the allies in World War II, John Steinbeck published his propaganda novel The Moon is Down—the story of ruthless invaders who overrun a militarily helpless country. Throughout the novel, Steinbeck underscored both the fatal weakness of the “invincible” unnamed aggressors and the inherent power of the human values shard by the “conquered” people.
The Moon is Down created an immediate sensation among American literary critics; fierce debate erupted over Steinbeck’s uncommonly sympathetic portrayal of the enemy and the novel’s power as a vehicle for propaganda. Fifty years later, Coers continues the debate, relying heavily on unpublished letters and personal interviews with the lawyers, book dealers, actors, publishers, and housewives associated with the resistance movements in Western Europe. Clandestine translations of The Moon Is Down quickly appeared and were widely circulated under the noses of the Gestapo. Coers documents the fate of Steinbeck’s novel in the hands of World War II resistance fighters and deepens our appreciation of Steinbeck’s unique ability to express the feelings of oppressed peoples.
One of the most enduring and prolific American authors of the latter half of the twentieth century, John Updike has long been recognized by critics for his importance as a social commentator. Yet, John Updike and the Cold War is the first work to examine how Updike's views grew out of the defining context of American culture in his time—the Cold War. Quentin Miller argues that because Updike's career began as the Cold War was taking shape in the mid-1950s, the world he creates in his entire literary oeuvre—fiction, poetry, and nonfiction prose—reflects the optimism and the anxiety of that decade.
Miller asserts that Updike's frequent use of Cold War tension as a metaphor for domestic life and as a cultural reality that affects the psychological security of his characters reveals the inherent conflict of his fictional world. Consequently, this conflict helps explain some of the problematic relationships and aimless behavior of Updike's characters, as well as their struggles to attain spiritual meaning.
By examining Updike's entire career in light of the historical events that coincide with it, Miller shows how important the early Cold War mind-set was to Updike's thinking and to the development of his fiction. The changes in Updike's writing after the 1950s confirm the early Cold War era's influence on his ideology and on his celebrated style. By the Cold War's end in the late 1980s, Updike's characters look back fondly to the Eisenhower years, when their national identity seemed so easy to define in contrast to the Soviet Union. This nostalgia begins as early as his writings in the 1960s, when the breakdown of an American consensus disillusions Updike's characters and leaves them yearning for the less divisive 1950s.
While underscoring how essential history is to the study of literature, Miller demonstrates that Updike's writing relies considerably on the growth of the global conflict that defined his time. Cogent and highly readable, John Updike and the Cold War makes an important contribution to Updike scholarship.
Early in his career, John Updike announced his affinity with the Christian existentialism of Soren Kierkegaard, Paul Tillich, Karl Barth, and others. Because of this, many of Updike's critics have interpreted his work from within a Christian existentialist context. Yet Kierkegaard and Barth provide Updike with much more than a mere context, for their dialectical thinking serves as the springboard for Updike's own unique dialectical vision, a complex matrix of ethical precepts, theological beliefs, and aesthetic principles that governs nearly all of his literary output. Nowhere else in his immense corpus is this vision more clearly and thoroughly expressed than in his four Rabbit novels, which were gathered into the single volume Rabbit Angstrom in 1995. However, because Updike's critics have chosen to read the Rabbit novels as discrete, freestanding texts, they have by and large failed to extract the precepts of this private vision.
In John Updike's Rabbit Tetralogy, Marshall Boswell redresses this imbalance by treating the Rabbit tetralogy as a single, unified "mega-novel." He demonstrates that, taken together as a single work, the four discrete sections of the tetralogy not only provide a coherent and complete articulation of Updike's unique existential vision but also compose a unified work of remarkable formal complexity. Boswell brings to Updike's work the concept of "mastered irony," a term coined by Kierkegaard to describe the presentation of two legitimate but contradictory sides of an issue. In the Rabbit novels, these issues range from adultery to drug addiction, from race to redemption, with each issue examined through the refracting lens of Updike's own ironic method. Boswell shows that although each of the four individual Rabbit novels confirms this dialectical strategy in a unique way, the completed tetralogy comprises an additional series of dialectical pairs that sustain, rather than resolve, thematic and formal tension. Ultimately, the structure of the finished "mega-novel" echoes the work's thematic rationale.
To help readers who are interested in a particular Rabbit novel, Boswell devotes a chapter to each individual section of the tetralogy. At the same time, he treats each novel as an integral part of the more comprehensive whole. Honoring the full complexity of Updike's provocative thinking without losing sight of the tetralogy's popular appeal, John Updike's Rabbit Tetralogy makes a valuable addition to the study of Updike's work.
In a film career that spanned five decades, John Wayne became a U.S. icon of heroic individualism and rugged masculinity. His widespread popularity, however, was not limited to the United States: he was beloved among moviegoers in Asia, Africa, Latin America, and Europe. In John Wayne’s World, Russell Meeuf considers the actor’s global popularity and makes the case that Wayne’s depictions of masculinity in his most popular films of the 1950s reflected the turbulent social disruptions of global capitalism and modernization taking place in that decade.
John Wayne’s World places Wayne at the center of gender- and nation-based ideologies, opening a dialogue between film history, gender studies, political and economic history, and popular culture. Moving chronologically, Meeuf provides new readings of Fort Apache, Red River, Hondo, The Searchers, Rio Bravo, and The Alamo and connects Wayne’s characters with a modern, transnational masculinity being reimagined after World War II. Considering Wayne’s international productions, such as Legend of the Lost and The Barbarian and the Geisha, Meeuf shows how they resonated with U.S. ideological positions about Africa and Asia. Meeuf concludes that, in his later films, Wayne’s star text shifted to one of grandfatherly nostalgia for the past, as his earlier brand of heroic masculinity became incompatible with the changing world of the 1960s and 1970s. The first academic book-length study of John Wayne in more than twenty years, John Wayne’s World reveals a frequently overlooked history behind one of Hollywood’s most iconic stars.
“John Wesley Powell: explorer, writer, geologist, anthropologist, land planner, bureaucrat. Which one do we focus on?” This is the question author James M. Aton poses at the beginning of his biography of Powell, though he soon decides that it is impossible to ignore any facet of Powell’s life. Powell was a polymath, one whose “divergent interests resemble one of those braided streambeds in his beloved canyon country, branching out in many directions, but ultimately beginning and ending in the same stream."
Aton beautifully tells the multidimensional stories of Powell’s childhood, his military and teaching careers, his famous and exciting explorations of the Colorado River, and the battles he waged from his influential positions within the Smithsonian’s Bureau of Ethnology and the United States Geological Survey. This new edition of John Wesley Powell: His Life and Legacy, first printed as an issue of the Boise State University Western Writers Series, includes the original biography, but also features Aton’s new interpretations of Powell’s writings on exploration, land-planning, anthropology, and irrigation, and incorporates the author’s distinguished faculty lecture on Powell and cash-register dams in the Colorado River Basin.
A biography of Alabama’s first Senator, this book is also the fascinating story of Southern frontier life as portrayed in contemporary letters and documents. When Madison County, Alabama, was still wilderness, Walker trekked across the mountains from Georgia with his bride, Matilda Pope, his slaves, and all his household possessions, to build a plantation near Huntsville. Here he began his extraordinary political career: member of the first territorial legislature; speaker of the house in the second; U.S. territorial judge; president of Alabama’s Constitutional Convention; and when statehood was won, first U.S. Senator.
In the first in-depth study of Winthrop since 1958, James G. Moseley provides a fascinating new look at this extraordinary man, paying careful attention to the connections between Winthrop’s political activity and his writing. Moseley first examines Winthrop as a writer, using the journal to analyze Winthrop as a man resolving challenges based as much on his acutely pragmatic intelligence as on his deeply felt religious convictions. Second, Moseley traces how historians have responded to Winthrop—how his famous journal has been read and misread by those who have filtered the man and his cultural context through many lenses.
By examining Winthrop’s ancestors and early life in England, especially the religious changes he experienced, Moseley removes the blinders of modernism, portraying Winthrop as never before. He shows how Winthrop’s successful struggle to accept the deaths of his first two wives led him away from moralistic views of Christianity, himself, and his world to more magnanimous views.
Arguing that writing was the medium through which Winthrop developed his capacity for leadership, Moseley shows how the journal enabled Winthrop to reflect objectively on his situation and to adjust his behavior. Winthrop was, Moseley suggests, not only a politician but a historian, and his interpretations of foundational events in American history in his journal are an invaluable resource for understanding the nature of leadership and the meaning of liberty in Puritan America.
Winthrop’s World is a very graceful, well-written, and engaging narrative that provides new insight into the Puritan way of life and into the man who provided a window between our world and his.
The man popularly credited with planting apple trees throughout the Midwest, John "Appleseed" Chapman epitomizes the American folk hero and pioneer: a man of humble origins who headed west to seek his destiny.
The essays in this collection bring to life the real Johnny Appleseed (1774-1845). A courageous, God-fearing, peaceful, and spartan figure, Chapman was welcomed by settlers and Native Americans alike. He was an unusual businessman -- one who believed that his "wealth" was sown in the trees he planted rather than in banks.
But most of all, Johnny Appleseed was a lover of nature whose respect for all living things was born of his faith. An itinerant "missionary," he provided settlers with "news fresh from heaven" -- pages from the works of eighteenth-century theologian Emanuel Swedenborg.
Editor William Ellery Jones has updated historical essays that explore how Chapman's legend grew both during and after his life.
The actor's image is studied in terms of its ambiguities and its many strange nuances: Depp's ethnicity, his smoking, his tranquility, his unceasing motion, his links to the Gothic, the Beats, Simone de Beauvoir, the history of rationality, Impressionist painting, and more. In a series of treatments of his key roles, including Rafael in The Brave, Bon Bon in Before Night Falls, Jack Kerouac in The Source, and the long list of acclaimed performances from Gilbert Grape to Cap'n Jack Sparrow, we learn of Johnny onscreen in terms of male sexuality, space travel, optical experience, nineteenth-century American capitalism, Orientalism, the vulnerability of performance, the perils of sleep, comedy, the myth of the West, Scrooge McDuck, Frantois Truffaut, and more.
Johnny's face, Johnny's gaze, Johnny's aging, and Johnny's understatement are shown to be inextricably linked to our own desperate need to plumb performance, style, and screen for a grounding of reality in this ever-accelerating world of fragmentation and insecurity. Both deeply intriguing and perpetually elusive, Depp is revealed as the central screen performer of the contemporary age, the symbol of performance itself.
No thinker has meditated on Johnny Depp this way before-and surely not in a manner worthy of the object of scrutiny.
John Chapman, better known as Johnny Appleseed, is seen through the eyes of a lost child in this short work of historical fiction.
A multifaceted voyage into the past, Jolliet and Marquette expands and updates the oft-told story of a pivotal event in American history.
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